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RAAG, Installation, Specially colored metal tulle, sheet iron, box profile, nails on the walnut wood, 2019

Aleyna Günay, entered into a form research, as a stuntman who gives movement to iron by centering the spine system, and whose layers are unique in itself but captive to wood. It is a new way of seeing that captivity has transformed, which enables the sculpture to maintain it's connection with both interior and exterior spaces developed in between architecture and iconography. While the form's construction of it is a temple in an uncertain space indicates  process of seeing. This process also provides interaction with the materialistic world through perception and observation in images of memory. 

Selected and exhibited on Mamut Art Project, 2020, Istanbul


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